The furore surrounding Bill Henson’s photographs provides a valuable opportunity for public debate on some complex but very important issues. That opportunity will be wasted if the debate just becomes another rendition of the age-old and moribund ‘art versus p-rnography’ discussion.
This isn’t a black and white issue. Turning it into one will ensure people focus all their energy and attention on putting the case for their ‘side’, preventing us from identifying the many areas where there is common ground and the ways we as a society can more effectively achieve the things we all support.
At its core, this case involves competing principles. Principles rarely apply absolutely without eventually coming into conflict with other principles. In such circumstances, we often have to decide how to adequately accommodate both. Sometimes one principle or the other has to take priority.
In this case, the principle of freedom of expression (artistic or otherwise) is coming into conflict with the principle of the protection of children. I believe freedom of expression is enormously important, but if there is a clear risk of harming children as a consequence, then the protection of children should take priority. I think most of society would agree with this.
The widely supported prohibition on child p-rnography shows that we already recognise that freedom of speech is not absolute. While I don’t think that Bill Henson’s photos qualify at all as child p-rnography in their original context, art doesn’t exist in isolation from wider social contexts.
It doesn’t exist outside our laws or fundamental community standards, especially once it moves into the public and commercial realm. Indeed, much art specifically seeks to connect with people, not sit above them in some sort of ethereal space beyond the ken of the average person.
Art can be about pushing boundaries, commerce and many other things. When boundaries are pushed, it often creates a backlash from those who believe the boundaries are being not just pushed, but crossed – or even destroyed. There is nothing surprising, or even wrong, with controversy erupting. If we can somehow make the ensuing debate constructive and intellectually honest, it can be immensely valuable.
But when dealing with sensitive topics, some sensitivity is needed. Context is very important. A photo hanging in an art gallery context is very different from a photo taken out of that context and spread around the internet, just as a photo of a child swimming is very different in a family album compared to one on an internet page targeted at paedophiles. It can be the same photo, but in one context can be a treasured family memory, and in another at best a gross invasion of privacy.
I believe the gallery made a mistake in putting all of these images online, and even in putting one of the more explicit shots on its publicity material. Of course, far more people have now seen the more explicit of these images courtesy of a multitude of other websites, including many mainstream media outlets who simultaneously decry the exploitation of a child while continuing to publish her picture.
I will leave the lawyers to argue whether or not a breach of the law has occurred, but I do believe the public interest would not be served by any charges being laid. Surely if Henson or the gallery are to be charged, every media outlet which has published the images must also be charged.
Court cases would divert our attention away from where it needs to be focused, allowing us to continue to kid ourselves that somehow the sexual exploitation and abuse of children is the fault of a few bad people, rather than a deeply entrenched societal problem.
The heart of concerns about early and excessive s-xualisation of children has not focused on p-rnography per se – whether of children or adults – but rather on the growing frequency to portray young children as s-xualised or to expose young children to s-xual imagery and concepts. The issue of child p-rnography, while related, is not at the heart of this, in part because no one in the community supports child p-rnography.
Changes to regulation and laws may or may not be part of the answer, but in my view unless there is stronger community acceptance of the basic right of children to grow into adulthood in a safe and nurturing environment, no laws will work. If we all accept that basic right for our children, then the debate can be about how best to ensure that happens and what sorts of behaviour and activities are unacceptable on the grounds that they compromise that right.
I’m still not convinced that we need to have Bill Henson’s photos of naked kids as art if it risks having children abused by other photographers.
The next artist might be an unknown using the internet to sell their art instead of Bill Henson at a gallery.
Thank you Andrew Bartlett for a sane article on this very heated debate. However, “..but I do believe the public interest would not be served by any charges being laid” really makes no sense. It would be preferable if Henson &/or the gallery were not charged, I agree, but on the other hand the police cannot march in, take down images from walls and websites without a reasonable expectation that that this should go to court. The police are not the judicuiry…thank heavens!. There is no real alternative here. If we were to ‘err”, I prefer that as a society we ‘err’ on the side of children. Not every child in our society has safe and loving familial protection and I believe we(society) must provide ‘backup’ for the child. Most of human suffering can be traced to an unhealthy upbringing. This has been known in ancient times: ” and the sins of the fathers shall be visited on the sons and the sons sons for .. generations”
Thanks for lending a little clarity to the debate. It’s never easy to argue complexities in the middle of a polarising issue.Someone’s sure to throw the elitist tag at you for suggesting that the photographs would be acceptable in the context of the gallery, but the hoi-polloi couldn’t cope with them. But I think you’re probably right – but I’m still processing it all. I’m pro censorship in certain cases, which puts me against many of the anti-bookburning crowd.
What do we now think about the piddling naked boy on the swing in Prospero’s Books (Peter Greenaway), andt Nabokov (famous collector of butterfly genitalia)?
Perhaps we as a society need to have the discussion about paedophiles and how best to deal with them to protect our children. When you start asking people, even in a white, middle class suburb, a very large proportion have experienced it. We need to understand paedophiles better, and then people might not confuse the issues as I think has been done here.
Andrew Bartlett can always be trusted to deal intelligently and in a balanced way with a controversial issue. What a shame that, after July, we will lose the Democrats in the Senate. The comments of Andrew Bartlett and Lyn Allison on this issue show how much they are needed on the current political scene.