Mick Molloy and Network Ten have lost their defamation battle against Adelaide identity Nicole Cornes in a ruling that could have far ranging implications for free speech, namely for the revelation that the law does not possess a sense of humour.
Despite Ten’s claim that the joke was “pure absurdist humour” the plaintiff’s success will force comedians to pause before making a crass comment about an individual in the future.
Cornes’ case centred on a 2008 broadcast of Ten’s Before the Game where Molloy joked that Cornes had slept with footballer Stuart Dew after Cornes said several flattering things about him in a newspaper article.
It was a classic Molloy moment. Disrespectful and stupid, but also reasonably funny. Well, sort of funny. It was certainly not meant to be taken seriously.
But Cornes, an unsuccessful ALP candidate in the 2007 federal election, was deeply offended by it. She claimed Molloy’s comment was humiliating as it questioned her fidelity. Her barrister, Stuart Littlemore, argued the comment impugned her self-respect and dignity.
Cornes was awarded $85,000 in damages, plus interest and costs. After the ruling, she told reporters “I just stood up for what I believed in, that’s the most important thing.”
A few things stand out from the case. The first is that Molloy’s intent was irrelevant. The fact that he and the program did not mean to imply that Cornes actually slept with Dew does not matter. What counts is how a reasonable member of the public interpreted the comment.
Having seen the offending broadcast, which Ten replayed yesterday, it is hard to see how a reasonable person could believe that Molloy was serious. Consequently no reasonable viewer would have believed that Cornes had slept with Dew. Therefore you’d think there’d be no case.
But Cornes’ case was assisted by her husband, former Adelaide Crows coach Graham Cornes, who told the court that the comment made him momentarily question his wife. He said “when somebody says something, even when you know it’s not true, there’s a shadow of doubt that crosses over your mind.” He also said that despite having the “utmost confidence” in his wife, “that doesn’t mean it can’t be undermined by negative comments.”
Does this constitute proof that a reasonable person believed that Molloy’s joke was true? If the laughter in the Before the Game studio is any guide, the public clearly understood that Molloy’s joke had no basis in truth whatsoever. However, Littlemore told the court that “not every viewer is a man with a beer in one hand, a meat pie in the other” and that some of the audience don’t agree that “witty repartee passes as shouting ‘show us your t-ts’ at a woman.”
The South Australian Supreme Court’s Justice David Peek agreed with Littlemore, ruling that she had been defamed and that Ten and Molloy had no defence.
Molloy’s case was not helped by his belated on-air apology, which has been described as inadequate and insincere. One of the many sensible things about the Defamation laws, which were overhauled in 2005, is that they encourage apologies and allow defendants to use them as a defence if all else fails. So botching an apology these days is not a good idea.
The case highlights that our national defamation laws, unlike copyright laws, do not provide enough protection for comedy and satire. The case also highlights an anomaly where defamation cases in the ACT, NT and South Australia are not heard by juries. I suspect that if a jury made up of ordinary people had heard this case the outcome would have been different.
No one doubts that Cornes was offended and humiliated and that the joke was crass. But this does not mean that people making jokes — which audiences know are not true — should not have a defence to the charge of defamation. The special role of comedians and satirists was recognised in changes to the Copyright Act in December 2006, following another case involving Ten and the Panel program, on which Molloy was also a regular guest. I wonder if anyone has the appetite to extend similar protections to the law of defamation as well?
Molloy and Ten are considering the judgement before deciding whether to lodge an appeal.
Mick Molloy is not even funny – he is just a ‘try-hard’ comic. I really wonder why he is still on television. I cringe every time he opens his mouth on ‘Before the Game’!! So glad Cornes took him to court, and won.
Molloy is a mixed bag. When he is funny he is pretty good. But he is getting stale, bit of a one-trick pony.
Sounds to me like he lost mainly because he did not do the apology thing properly, which is probably fair enough.
i wouldnt think it funny , its about time comedians came up with better material other than slinging s**t on people
Nicole Cornes has suffered enormously at the hands of ‘the boys’ in the media. Pilloried, ridiculed and hounded during the 2007 election campaign, not one apology came her way when it was later revealed, on Australian Story I, that during the campaign she was giving evidence in a child sexual abuse case and that she was the victim, since age 5! Her abuser was convicted.
An example of her treatment (from Australian Story transcript)
(Excerpt from radio interview):
RADIO ANNOUNCER: So, Nicole, what do you have to offer the people of Boothby?
FEMALE VOICE: Well I’ve lived in Boothby for years and I’ve got a really, really killer rack …
RADIO ANNOUNCER: No that’s too much …
RADIO ANNOUNCER 2: Too much, Nick, love.
RADIO ANNOUNCER: Split the difference.
FEMALE VOICE: But I have got a really killer …
RADIO ANNOUNCER: Well I know you have but people don’t vote for them.
RADIO ANNOUNCER: (Laughs) Nice one stud.
(End of excerpt)
A story by Michael Owen and accompanying photo which appeared in the Adelaide Advertiser and defended by its editor Melvin Mansell was described by Nicole Cornes thus:
‘And he says, “So I understand that you’ve been sexually abused and you’ve just gone through a court case. Can I ask, who was it?” I was completely shell shocked. At that moment, I’ve teared up, the photographer’s clicking away madly from across the room. And Michael Owen knew that he couldn’t write a word of the court matter because it was suppressed. And I’m a victim and protected by law so why ask me about it?’
The picture of course, showed her as teary and sad and female and obviously not up to the job.
Erstwhile Senator Stott-Despoyer’s comments:
‘I do worry about the message that the treatment of Nicole Cornes sends particularly other women. This is not about being precious as a politician, as a candidate, as a woman in public life. But it is about an element of fair treatment, and the treatment to which she was subject was unlike anything we’ve seen in this State, if at all, and certainly for a long time.’
Obviously, Nicole Cornes had had quite enough of ‘jokes’ at her expense. Crass comedians who intend to sneer at others for cheap laugh at least have a duty to find out something about their intended targets first.
Our defamation laws should provide more protection for comedians? What about protection for women from uncouth, unfunny, unaware and unattractive comedians?
Mick Molloy is a dill. He’s never been funny.